![]() Historically speaking, the West’s visual vocabulary tends to champion a fascination “with abjection and violence” in foreign subjects, whether that be the sinister depictions of Japanese people in World War II propaganda, Native American mascots in sports, or distressed communities in Africa and the Middle East.Īrt and public policy professor Hentyle Yapp refers to these aesthetics as “all look same,” a framework that flattens perceptions of historically racialized groups by emphasizing sameness in their representation. A lot of red.Īesthetic choices have long shaped how American audiences see the world. The usual suspects appear: dragons, President Xi Jinping, the five-star flag, and red. It’s easy to tell when a magazine cover is about China.
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